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Archive for January, 2003

For Shame Universal, For Shame

Dear Universal Studios Home Video:

I purchased your Bourne Identity DVD, and I am not happy.

You have locked the disk so that I can’t fast forward past your coming attractions trailers.

You’ve now made it less likely that I will ever buy another Universal Studios DVD. If I do buy another Universal Studios DVD, and find that you have again put your goals ahead of the consumer’s goals by locking the disk in that way, I will NEVER buy a third DVD from you, and I will encourage everybody I know to do the same.

How Did They Do That?

The retouch button in iPhoto 2 is scary good. Seriously, it is amazing how smart this thing is. I assume it’s basically the healing brush from PhotoShop 7 - which I’ve yet to play around with, but OH MY GOD.

I had this one photo of some friends’ kid who had some crumbs in her hair. I go in, and rub the wand over the crumbs and they disappeared. This is on wispy, inconsistently textured hair people. If you haven’t worked extensively with PhotoShop, you may not know, but holy crap! It took the crumbs right out and left the freaking hair. I don’t even know if I could have cloned it out this well (you know — assuming it actually mattered enough to me to even take the time). This thing seems to have more intelligence than me and my 13+ years of professional experience. I am well and truly floored. I don’t know what kind of algorithm they’re using, but whoever programmed this thing is some kind of freaky smart, uber god!

California Blog Funny

Goodness! Google must be deeply broken. It has me at #7 on a search for california blog funny. Has Google not read Chris? I mean it’s not that I don’t love the fresh Googlie love, but really - where’s the freaking context? Is it really all about the keywords with you Google?

Growth of a Nation

Cool, primitive graphics, but still wicked cool. How come we didn’t have interactive maps and timelines like this when I was struggling through social studies/history in high school? I should have loved history in school. It should have been all conceptual, but it wasn’t it was just meaningless dates. I’m not sure high school educators fully understand how to teach history - at least they didn’t teach it in the way I could best learn it. via Xplane

Excellent post on why actual property and “intellectual property” are very different and should be treated as such. For some reason, a lot of people have grown to equate them as being the same which leads to all kinds of bad laws and effects.

The post actually quotes Rand of all people. I mentioned Rand a couple of posts down, and now that I’m referring to her again, I feel as though I should promise not to refer to her or objectivism again for at least another six months. I’m really not all that Randian. It just sort of worked out this way.

Anyway, as quoted in the linked post, she says

The inheritance of material property represents a dynamic claim on a static amount of wealth; the inheritance of intellectual property represents a static claim on a dynamic process of production.

That is right. I’d take it further than she does. She does believe that a creator has right to the work that (s)he creates. In order to claim that right though, you must enforce an artificial monopoly on the creation. Supply is in actuality infinite. It’s bounded only by the time and materials needed to perpetuate it. To restrict that so that you can inflate its value is just wrong. It breaks the market if you are a capitalist. It tramples on the rights of the proletariat if you’re a communist. No matter which of the world’s major economic systems you profess to support, it’s wrong.

The typical response to that is that creators deserve to be compensated for their time. I would point out that most creators currently are not compensated for their time. This will probably always be true, but it is made worse by the current system which favors broad versus niche distribution.

The system we have right now restricts not just how many works are distributed, but how many creators are distributed as well. Marketing driven creativity must find a broad audience, and that means that a few artists must shout down all of the other artists. The ones with the most money or the loudest microphones are always going to win that battle. It serves as an editor, and a filter which you need, but it filters too much. It’s not good for the culture.

And, I should say that I’m not opposed to creators getting paid for their work. I think that work for hire is the way that most creators should accomplish that. That’s certainly the way I get paid right now. If they want more autonomy than that allows though, and they want to try to get paid, then I think a system of tipping is better than a system of artificially restricted supply.

Oh, the detractors say, but nobody will pay if they don’t have to. Well, I don’t have to tip in restaurants, but I do. Even when the service completely sucks I tip. I tip less, but I still tip. There’s too much social pressure not to. I think that in a world that values art, the same kinds of pressures could be brought to bare. Some would not pay, but enough would.

Warning - the link that follows is just for adults, and just for home. Actually, the images are wire frame, and it isn’t much more than suggestive, but you’ve been warned. Now, go click on some boxes to see a demonstration of a couple of the positions in the Kama Sutra. Click on the box on the top right to be able to control the dummies yourself. I got mine swinging like contortionists from the Cirque de Soleil. Ah, good times.

Does It Get Any Better?

How did a show like She Spies slip under my radar? It sounds wonderfully horrible:

“Alias” meets “Austin Powers” by way of “VIP.” Three female ex-cons (all beautiful, of course) work for the government to bring in criminals.

Oh, yes. You have to know that I WILL be watching this show tonight.

Yesterday LA offers an historic look at the Los Angeles through some wonderful Vintage Postcards.

Why are things colored?

Scholars have learned that all the colors in the universe originate from a mere fifteen fundamental physical causes. Read about them here.

Yes!!!

I’ve finally added Party Girl to my DVD Collection. I’ve been waiting for this one for EVER.

It’s full-screen which sucks hard, and the transfer doesn’t look great. Although that could easily be the source they had to work with. It was an independent, and I don’t remember what the quality of versions I’ve seen before looked like. There are also ZERO extras. I can understand not wanting to allocate much budget to production on the thing, but how much could it cost to add a commentary track? I imagine Parker Posey is busy making like 30 movies a year, but it’s not like the director is doing much of note these days. Where’s the pride of ownership? It makes you wonder if the genius of the movie was not in the director.

Now, where is: Valley Girl, Weird Science (claims to be available in DVD, but it’s a lie), Reckless, or Sixteen Candles (which Amazon seems to think may be coming out soon yea!)

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